Bach Violin Concerto No. 1 In A Minor Mp3 Download UPDATED

Bach Violin Concerto No. 1 In A Minor Mp3 Download

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JS BACH ON DRUMS

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Instrumental arrangements

Bach produced a huge volume of classical instrumental music for the most advanced musical instruments of his day and now we have produced some new transcriptions bundled on New Globe instruments in MP3 format. In the seventies Wendy Carlos used Moog synthesizers to produce albums of re- interpretations of some of this music. Here we are offer a fresh approach based on combinations of some of the latest synthesizer instruments to bring fresh colours to the music and highlight the dazzling counterpoint. For the Fugues nosotros hark back to Wendy and take combined Mega Moog Synthesizers with Steel Drums which enhance the drama and emphasize the sunnier side of his work. For the Toccatas and Brandenburg Concertos on the other hand nosotros have used combinations of Marimba and Steel Drums to create a actually absurd audio. Toccata were originally equanimous for the Harpsichord and so it is not surprising that they answer well to a percussion handling. They are early works where the composer was able to requite free reign to his musical imagination and virtuosity. Toccata No1 in F# Minor BWV 910 Toccata No2 in C Small BWV 911 Toccata No3 in D Major BWV 912 Toccata No4 in D Minor BWV 913 Toccata No5 in E Minor BWV 914 Toccata No6 in G Pocket-size BWV 915 Toccata No7 in G Major BWV 916 By contrast JS Bach fabricated the Fugue his own and we have created some examples presented on electronic musical instruments which aim bring out the excitement of the chase. Bach Art of Fugue BWV 1080 Fugue in E Small 'Wedge' Prelude and Fugue in F Major BWV 556 Fugue in D Modest BWV 565

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Our Air, Fantasy, Invention, Partitia & Dance pieces nowadays some rather playful interpretations of Bach'south original cloth. Starting with the Choral Prelude we have used a couple of ''humorous' Brass synthesizers on the Moog - not quite Herbie Flowers simply interesting. In the Fantasy arrangement we used a somewhat brighter synth to augment the Steel Drums because that seemed to fit better. Then equally a contrast the Minuett uses a Celtic Harp and Marimba combination with the Harp very much to the fore.

For the Double Violin Concerto nosotros have used ii different Steel Drum synthesizer combinations to distinguish the two voices and the Marimba takes on the Orchestral function which T Walter had transcribed for Pianoforte. This is made possible past the apply of two ''slow' lush synth's to complement the Steel Drums and the Marimba taking over in the legato passages. It is recorded as a unmarried file rather than 3 split up movements. Double Violin Concerto in D minor BWV 1043 The Flute concerto is a more straight forward arrangement with the Steel Drums taking the Flute part supported past a slow synth, the Marimba taking the principal orchestral parts while another slow synth fills in for the Cello and the Log Marimba makes its commencement appearance as Basso Continuo. Flute Concerto in A minor 1st Movement 2nd Movement 3rd Movement The Brandenberg Concertos were composed in 1721 for the Magrave of Brandenburg by style of a job application - it is not clear that they were performed until after the Magrave'southward expiry when the manuscripts were found by a student of Bach who appreciated their true value. They represent dissimilar interpretations of the orchestral or 'grosso' approach to the concerto form rather than the solo/orchestra and they have responded well to a simplified percussion estimation involving Steel Drums, Marimba and Vibraphone. Brandenberg No 2 in F Major BWV 1047 1st Movement 2d Motility tertiary Movement Brandenberg No three in G Major BWV 1048 1st Movement 3rd Move Brandenberg No 4 in G Major BWV1049 1st Motion third Movement Brandenberg No half dozen in B flat Major BWV1051 3rd Movement

In the Chaconne we simply supported the Steel Drums with two synth'south to give depth and body to the slower passages leaving out the Marimba. This approach aims to bring a freshness to the music, liberating information technology from the concert chamber and bringing it out into sunnier climes.

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